Period: from November 29, 2025 to March 8, 2026.

Since his participation in the Supports-Surfaces movement in the 1970s, Daniel Dezeuze has never ceased to question the constituent elements of painting and artistic creation.
Using the simplest and most diverse materials, from hijacked objects to assemblages of scraps, the artist renews the objects of an ever-intact curiosity and creates disturbing works, a contemporary poetry of fragility.